Art isn't just one discipline for me. It's the thread running through everything I create.

My eye was shaped by the ocean, in Brittany, by the stark contrast of black and white: the Gwenn ha Du. That duality has stayed with me as a signature, purity of line carried by emotion. What interests me most is the human being, what makes each person unique. Jewelry, for me, isn't an end in itself, but one of the ways I reveal something about you. I don't aim to decorate. I aim to bring out what matters most.

Trained at the Haute École de Joaillerie and the École du Louvre, I learned both the technical rigor and the history behind Place Vendôme. I later studied oil painting under master Vladislav Yashin, learning to capture presence and character through contrast and material. Today, these disciplines come together. Every piece of jewelry I design carries that same demand for precision, in the drawing, the light, the gesture.

My work draws on pop culture and an elegance that isn't afraid to have character. I'm drawn to pieces with real presence, ones that say something about the person wearing them.